The Sequenza series is regarded as one of the most important cycles of the 20th century. In this series Berio discovers the capabilities of an instrument and its. Sequenza I is a composition written in by Luciano Berio for the flutist Severino Gazzelloni. “Rhythm and Timing in the Two Versions of Sequenza I for Flute Solo: Psychological and Musical Differences in Performance” by Cynthia Folio. November Berio’s Sequenza I has been a part of the modern flutist’s cannon ever since it’s publication in by Zerboni in Milan. The.

Author: Febei Munos
Country: Dominica
Language: English (Spanish)
Genre: Art
Published (Last): 25 November 2015
Pages: 162
PDF File Size: 20.19 Mb
ePub File Size: 12.58 Mb
ISBN: 215-3-24360-164-2
Downloads: 97583
Price: Free* [*Free Regsitration Required]
Uploader: Arar

One of the really big challenges on flute is to play the Berio Sequenza. This videos, the service, the quality, everything is perfect!! And of course, not too much people have the possibility of take a Berio’s sequenza masterclass every day.

Sequenzas; Due Pezzi; Musica Leggera; etc.

This kind of “open” structure allows for flexibility within an otherwise rigorous form. AllMusic Featured Composition Noteworthy. The symmetrical chromatic scale gives way to more complex collections of notes; these more complex gestures are incorporated into the work in a sewuenza that provides the impression whole blocks of notes in counterpoint with other blocks. From A to Z, Vol. This is one of the most difficult pieces for flute.

The actual realization of such guidelines is left to the player in such a way that specific elements in the score will vary with each performer and each performance. Genre Chamber Music Classical. Learn hands-on advice on technique, sound and musical interpretation – fkute through masterclasses of some of the most important and beautiful works. Rainy Day Relaxation Road Trip. Add review Your review will be posted on our website once verified.


Masterclasses Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works. Login Remember Me Don’t have an account? Jazz Latin New Age. Name Review Rating 5 4 3 2 1.

Sequenza I – Wikipedia

Luciano Berio’s Sequenza I for flute is an example of a partially indeterminate musical form. The melodic and harmonic content of Sequenza I grew out of Berio’s serial-influenced language, resulting in a highly controlled employment of pitch.

Sequenza I was written for the flutist Severino Gazzelloniwho premiered the work at Darmstadt in Streams Videos All Posts. Please enable JavaScript in your browser to seqquenza the site fully.

Sequenza I, for flute | Details | AllMusic

Don’t have an account? Lifetime access Stream on any device Watch offline. AllMusic relies heavily on JavaScript.

Share on facebook herio tumblr. Introspection Late Night Partying. Sustained pitches are set against fast passagework, high is set against low, aggressive against introspective: Like Berio’s successive solo works–and apart from certain rhetorical-historical commentary that may be present in these–Sequenza I embodies a quest for counterpoint and harmony through the means of a single melodic line.

Works for Flute Solo.

Sequenza I, for flute

Spontaneity in performance, then, comes from the moment-to-moment adjustments of rhythm and performance gesture called for by Berio’s suggestive–rather than prescriptive–notation.


Sexy Trippy All Moods. Quality excellent, and I want to point the great attention that I had from the staff.

This juxtaposition of regulated versus improvisatory musical materials, however, was not the main impetus behind Sequenza I. Flute Visions of the 20th Century. It’s interesting in this video the point of view of Pahud, because he played for Berio itself, and as Pahud said, Berio wasn’t happy with his interpretation, but this make a completely different point of view from him Pahud and that’s why these is one of the most interesant videos of all bunch.

Berio notated the piece so that an individual staff line has a fixed duration, while the durations of sequdnza notes are indicated proportionately–that is, a small distance between one note and the next denotes a short duration, whereas a greater distance denotes a longer duration.

The pitch materials of Sequenza I are initially simple, consisting primarily of descending chromatic scale passages that incorporate octave displacement and rhythmic ambiguity. Berio’s precedents in this regard include the solo flute and other solo instrumental works of Bachbut the harmonic language of the twentieth century required a new approach to this “virtual polyphony.

Romantic Evening Sex All Themes. Get more for your money. Drinking Hanging Out In Love.