July 5, | La Gazzetta dello Sport. Presto in pista la Rumi Moto3 A Seriate ( Bergamo) presentata la Rumi Moto3 che disputerà il Civ (campionato italiano. sludges from on-site effluent treatment other than those mentioned in 07 05 07 05 13* solid wastes containing dangerous substances. 07 05 event highlights: June 21, Garden of Memory Oakland, CA USA. July 5, ROOM: 6 reeds & 18 ft of tubing. San Francisco, CA USA. July 26,

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This iteration of Pamela Z Arts’ intimate avant chamber series juxtaposes the processed, percussive string sounds of experimental hammered dulcimer artist Dan Joseph with percussionist Joel Davel’s virtuousic mallet work on the Buchla Marimba Lumina, and the complex vibrations of Karen Stackpole’s otherworldly wall of gongs.

PZ Gazzetta June

Gentle Gazzetta Readers, It’s been such a good and busy year, I haven’t even had time to generate my little digital, supposedly quarterly, rag. Prodigious ombutures will force compressed air though meters of brass tubing to excite the bells and your ears. Winged PZ landed in Mexico City. Z has toured extensively throughout the US, Europe, and Japan.

Repubblica Esteri

Yes, tazzetta summer brings the next four concerts of my little avant chamber series. August 23, ROOM: You received this email because you are in my database of friends, colleagues, and people who have shown interest in my activities.

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For booking inquiries contact Elisabeth Beiard at Circuit: This little digital gazette is published only 3 to 4 times a year. I learned a lot of Mexican history during a well-guided visit to the Museo Nacional de Antropologia lesson one: Remembering that I said I like Mexican chocolate, Jorge sent me away with a gift of stone-ground cacao tablets and a molinillo from his kitchen.

PZ with friend at Museo Nacional de Antropologia. Each will perform solo work and some possible duosand then they will all join forces for an ensemble finale.

A skeleton using the Eco-Bikes in Mexico City. Pamela Z will join them to add a gazzzetta voice and electronics to the labrosonic frenzy.

Lumen Fidei, enciclica a quattro mani.”La luce della Fede illumina la vita” –

And, at one point, a spontaneous all-men dance erupted and the rest of us just watched as those gorgeous, fluid-hipped, smooth-footed Mexican guys displayed their plumage. Something concrete gazzeta take home along with memories of new friends and good art!

Our Carbon Song Cycle, a work for chamber ensemble and multi-channel, immersive video, was presented at the Berkeley Art Museum. The Room Series kicks off with a concert featuring double reeds. Plenty of Art and more to come Premieres and Performances Where to even begin Read on for details In April, I had another large premiere — this one a collaborative work with videomaker Christina McPhee. But my Mexico City trip was on the opposite end of that spectrum.

Kronos rehearsing PZ’s piece in their studio. We all danced and laughed so hard, we were exhausted. In the worst case scenario, I barely see more than the inside of my hotel, the inside of the venue during soundcheck and performance, and maybe a few sights from the taxi window to and from the airport.


Milan, Airc: ad El Shaarawy il Pallone d’Argento

The festival organizers generously provided a full festival pass and lodging for the entire week-long event. 07-005-13 been such a good and busy year, I haven’t even had time to generate my little digital, supposedly quarterly, rag.

Each will perform solo work and some possible duosand then Pamela will join all of them in an ensemble finale. August 9, ROOM: Along with the premieres of these two major new works, I had other performance opportunities.

Do I have news for you? July 5, ROOM: June [pz gazzetta xv] view online. She’s created installation works and composed scores 070-5-13 dance, film, and new music chamber ensembles.

Vibrating vocal cords mediated circuitously through cryptic components will reverberate and richochet through the ROOM, finally resting in your earnest, expectant ears.

The tape part consists of a text collage I constructed after interviewing around 25 English-speaking people with various regional American and foreign-language accents, and string parts I built largely from the rich, melodic material found in the speech fragments I used.